Page 6 - Prinya Wanchupela Memorial
P. 6

Left to right: Nanta Chayasith playing Saw, Thawee

                                             khambaomuang playing Khan, Paiboon Soisalika playing Pin.
       produce steam as Sommai would have to be engulfed in steam for some time after the baby

       was born.

          The exact date and time of Prinya’s birth cannot be fixed as births were very often not

       recorded  until  long  after  a  child’s  birth  due  to  the  great  distances  between  villages  and
       government offices at that time. His mother said he was born in the year of “Mamia” at “ryng
       sawang” as the monks were collecting alms early in the morning.  His father said that the exact
       date could be determined by checking his absentee record at Ban Amorn School. That date was
       March 15, 1930.


          Prinya  had  fond memories  of his life  in  Ban  Amorn as the  beloved  grandson of his
       grandmother, Khun Kane Jonnamol.  He would recall dozing off on the back of her buffalo as

       it wandered through their rice paddies treading softly so  as not to disturb the sleeping child.

          He held in highest esteem the head abbot of the wat who with wisdom and foresight guided

       the children. His life-long love of football began by kicking balls stuffed with kapok and
       stitched together by ladies of the village at the Abbot’s request. How the boys enjoyed thrashing
       the balls all around the temple compound keeping the ladies busy replacing them!


          The Abbot took them on field trips by ox cart at night to nearby musical competitions,
       particularly  the  long  drum  competitions.  Prinya’s  love  for  Northeastern  music  could  well
       have sprung from these excursions. Musical competitions among high ranking officials were

       taken seriously at that time throughout Thailand. Prinya’s grandfather was the patron of “pin”,
       “saw”, and “khan” players who would practice and perform often for him and his company.
       Prinya had a vivid memory of their styles and repertoires. Later in Bangkok he would bring
       Northeast musicians to perform at academic and cultural venues. They would stay at his home
       and practice well into the night under his direction as he mentally recalled how the music

       sounded to him as he listened to it as a child.

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        6      Memories of  Prinya Wanchupela
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